I Just Got My AI Certificate. Here’s What I Actually Learned.

To borrow a phrase from Howard Stern, I am something of a king of all media. Radio, television, digital — I’ve worked in all three, and I’ve had to learn the rules of each one from scratch.

It started in college, when I was fortunate to land a part-time gig as a DJ at Laser 104.1 in Allentown, Pennsylvania.  I had no idea what I was doing. I figured it out. An internship at FOX 29 in Philadelphia got me into television, which turned into a career. Eight years in, I went back to school at Temple University to earn my MBA, while working overnight shifts producing the morning news at 6abc. I wasn’t the most rested student, but I graduated.

Then came the internet. Nobody handed me a manual for that either. I self-taught: reading voraciously, experimenting constantly, and talking to anyone who knew more than I did. That’s how I’ve always operated.

So when AI started reshaping the media business — not gradually, but all at once — I decided I wasn’t going to learn it from the sidelines. I enrolled in Johns Hopkins University’s AI for Business Strategy course. This week, I received my certificate of completion.

Before anyone rolls their eyes — yes, I know what “AI certificate” sounds like. It sounds like a LinkedIn flex. It isn’t that. It’s the result of months of real coursework: essays, lectures, readings from the World Economic Forum and MIT and McKinsey, and a final project where I built a full AI proposal for a school district from the ground up. Twelve weeks. Real work.

Here’s what I actually walked away with.


The thing nobody tells you about AI

The biggest surprise wasn’t the technology. It was realizing how little most business leaders — including me — understand about what AI actually does inside an organization.

We talk about AI as if it were a feature you add. A button you push. It’s not. AI doesn’t just automate tasks. It reorganizes how work gets done. The McKinsey framing that stuck with me: companies are moving toward “minimum viable organizations” — lean structures in which AI handles structured, repeatable work, and humans focus on oversight, judgment, and context.

That changes everything.


What the course actually covered

The curriculum was broader than I expected. We started with the AI landscape — the history, the current state, who the major players are and why. Then it got practical fast: how businesses are actually deploying AI, how to optimize it, and, critically, what can go wrong.

The week on AI bias and risk was the one that hit me hardest. In journalism, we already live inside the trust crisis. Audiences can’t tell what’s real anymore. An AI that performs “slightly better than a human” at spotting misinformation isn’t good enough — that was the core of an essay I wrote for the course. The bar for AI in media has to be higher than the human baseline, because the stakes of getting it wrong are higher.

We also covered generative AI in depth — not just what it is, but how to use it responsibly for actual business purposes. And the final weeks got into scaling AI projects and managing them at the enterprise level. What does it look like when you’re not just piloting something, but running it at scale across an organization?

The final project brought it all together. I built a full vendor proposal — a fictional AI company called EduAI Solutions — pitching an AI-powered learning platform to a real school district. Every section had to hold up: the executive summary, the implementation strategy, the data privacy compliance, the cost structure. It was the most useful assignment I’ve done in any course, because it forced me to think like someone responsible for the outcome, not just someone writing about it.


What this means for journalism

I came in thinking AI was something I needed to manage in my newsroom. I left understanding it’s something I need to lead through.

Two-thirds of U.S. newsrooms have already integrated AI into at least one workflow. The roles being created — AI Ethics Editors, Automated Content Managers, Data Journalists — are no longer niche. They’re becoming core. And the journalists who thrive won’t just be good storytellers. They’ll need data literacy, an understanding of how large language models work and where they fail, and the judgment to know when to trust the machine and when to override it.

That’s a different journalist from the one I trained to be. It’s the one I’m working to become.


ABL: Always Be Learning

Here’s the thing I’ve told younger journalists for years: the moment you think you’ve figured it out, you’re done. The industry moves too fast. The audience moves too fast. You have to stay a student.

Every transition in my career has required me to start over as a learner. Radio to TV. TV to digital. The people who get left behind in this business aren’t the ones who admit they don’t know something. They’re the ones who pretend they do.

I chose Johns Hopkins specifically because the course is big-picture focused. Not “here’s how to prompt ChatGPT.” It’s about strategy — how AI changes the structure of organizations, how leaders need to think about deploying it, and what the risks look like at scale.

The next frontier I’m focused on is agentic AI — systems that don’t just answer questions but take actions, make decisions, and complete multi-step tasks on their own. That’s where this technology is heading fast, and it has enormous implications for media organizations. I’m already working to understand it.

Getting this certificate at this stage of my career wasn’t about proving something to anyone else. It was about staying useful — to my team, to my company, to myself. The executives and media leaders who will matter in the next five years aren’t the ones who handed AI questions off to someone else. They’re the ones who got in the room, got their hands dirty, and figured out what they were looking at.

I don’t have all the answers. But I know which questions to ask now. And I know where to go next.


Bob Monek is a veteran broadcast journalist and media executive who has worked in radio, television, and digital media. He completed the AI for Business Strategy certificate program at Johns Hopkins University in April 2026.

Late-Night TV’s Crisis: Adapting to Audience Changes

CBS pulled the plug on The Late Show, but the real story isn’t politics—it’s a failure to follow the audience into the digital age.

Some people on social media think The Late Show was canceled because of Trump. He’s celebrating on Truth Social, but it’s doubtful he had anything to do with it. The more likely reason is precisely what Paramount said: a financial decision.

A business that loses $40 million a year is unlikely to remain in business. Blame a shrinking linear audience, rising production costs, and a failure to evolve into a digital-first, everywhere-content machine. Whether politics played a factor is pure speculation, but the financial and market pressures are written on the wall.

When you look at the big picture, TV talk shows, regardless of daypart, are either mostly being watched in social media clips or being replaced by podcasts – video podcasts. I mostly listen, not watch—but over a billion people now watch podcasts on YouTube.

Streaming has changed everything. In June, streaming accounted for 46% of viewership while broadcast and cable combined for 41.9%. YouTube now leads all platforms in TV and streaming time, according to Nielsen.

If you’re like me, you’re not staying up for late-night shows—you’re catching the clips on YouTube, TikTok, or wherever they land.

The Late Show has declined from nearly 4 million nightly linear viewers a decade ago, but it still gets over 2.5 million viewers and leads the pack. However, Colbert lags behind Kimmel and Fallon on the platforms where more people are watching.

The Tonight Show has 32.7 million YouTube subscribers and 19.2 million on Instagram. Jimmy Kimmel Live follows with 20.7 million on YouTube and 4.3 million on Instagram.

The Late Show? 10M on YouTube and 3.7M on Instagram.

It’s not just losing the attention war, but also the ad war. According to Hollywood Reporter, brands spent an estimated $32.2 million on The Late Show this year—compared to over $50 million each for Kimmel and Fallon. ABC and NBC also bundle in digital ad packages. CBS doesn’t.

With late-night linear ad spend falling from $439 million in 2018 to $221 million in 2024, it’s shocking CBS didn’t chase the audience—and the money—harder.

From all the reports, The Late Show’s downfall looks like a case of a legacy business failing to adapt fast enough.

And for the late-night shows still standing, the future’s uncertain. Even Jimmy Kimmel asked last year if they’ll still exist in a decade.

“There’s a lot to watch and now people can watch anything at anytime, they’ve got all these streaming services. It used to be Johnny Carson was the only thing on at 11:30pm and so everybody watched and then David Letterman was on after Johnny so people watched those two shows but now they’re so many options. Maybe more significantly, the fact that people are easily able to watch your monologue online the next day, it really cancels out the need to watch it when it’s on the air and once people stop watching it when it’s on the air, networks are going to stop paying for it to be made,” he said on the Politickin’ podcast.

As Kimmel noted, good programming is expensive, and appointment TV doesn’t fit this on-demand world.

Podcasts are cheaper and created for how people consume now—scrolling on phones, watching whenever they want.

That may sound like a doomed scenario, but audiences — and algorithms — are fickle. Creators have to stay nimble, and legacy media must evolve.

At the end of the day, content is still king. Late-night isn’t dead — it’s evolving. The shows still deliver; the challenge is distributing and monetizing them across every platform that matters.

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Is going viral my goal?

One of the most famous viral videos of all-time is “Charlie bit my finger” with 870M views, and that video and other early videos helped create an atmosphere of “I want to go viral”

So what does that mean anyway – going viral?   Is it 100,000 views, 5 million of 870 million?    There’s no hard and fast definition.

A video can get a million views because a brand paid to have it places on various sites, so if the video is seeded with paid support and emails and other means is it truly viral?

There is a certain mindset that failing to go viral means your social media campaign is a failure, and I don’t buy into that nonsense.

“Going viral” misses the point of brand messaging which is reaching the right audience and building a relationship with them by producing content that is useful and actionable for them.    I can buy and spend and clickbait my way to a million views, but how many watch beyond 10 seconds and how many took action in a positive way towards my brand?

Every video you create is not a one-time shot at going viral, but an investment in a long-term relationship with your customers.

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